The 2019 Hugo Awards have been announced at Dublin 2019: An Irish Worldcon, the 77th World Science Fiction Convention. They were announced at a ceremony on the evening of Sunday, August 18, 2019.
Here are the winners.
(A one-off category created as per WSFS rules by Dublin 2019)
The following awards which are administered by WSFS and voted on alongside the Hugo Awards were also included in the ceremony.
Detailed results, finalist placements, and nominations breakdowns are available here (PDF).
Dublin 2019: An Irish Worldcon, the 77th World Science Fiction Convention, announced the winners of the 1944 Retrospective Hugo Awards at a ceremony on the evening of Thursday, August 15, 2019.
The World Science Fiction Society Constitution allows, but does not require, a Worldcon held 50, 75, or 100 years after a Worldcon at which no Hugo Awards were presented to present Retrospective Hugo Awards for works that would have been eligible for that year’s Hugo Awards if they had been held. (Once Retro Hugos have been presented for a given year, no future Worldcon may present Retro Hugos for that year.) The 1941 Worldcon did not present Hugo Awards. MidAmeriCon II elected to present Retro Hugo Awards for works first published in 1940 that would have been eligible for the 1941 Hugo Awards, had there been Awards presented in 1941.
Conjure Wife, by Fritz Leiber, Jr. (Unknown Worlds, April 1943)
The Little Prince, by Antoine de Saint-Exupéry (Reynal & Hitchcock)
Mimsy Were the Borogoves, by Lewis Padgett (C.L. Moore & Henry Kuttner) (Astounding Science-Fiction, February 1943)
King of the Gray Spaces (R is for Rocket), by Ray Bradbury (Famous Fantastic Mysteries, December 1943)
Wonder Woman #5: Battle for Womanhood, written by William Moulton Marsden, art by Harry G. Peter (DC Comics)
Heaven Can Wait, written by Samson Raphaelson, directed by Ernst Lubitsch (20th Century Fox)
Best Dramatic Presentation, Short Form
Frankenstein Meets the Wolfman, written by Curt Siodmak, directed by Roy William Neill (Universal Pictures)
John W. Campbell
Virgil Finlay
Le Zombie, edited by Arthur Wilson “Bob” Tucker
Forrest J Ackerman
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