What is space opera, anyway? Wikipedia defines it this way:
Space opera is a subgenre of science fiction that emphasizes space warfare, melodramatic adventure, set mainly or entirely in outer space, and often risk-taking as well as chivalric romance; usually involving conflict between opponents possessing advanced abilities, futuristic weapons and other sophisticated technology.
The term has no relation to music. Instead a play on the term “horse opera”, which was coined during the heyday of silent movies to indicate clichéd and formulaic western movies. Space operas emerged in the 1930s and they continue to be produced in literature, film, comics and video games.
Notable space opera books include the Foundation series (1942–1999) by Isaac Asimov et al. and the Ender’s Game series (1985–present) by Orson Scott Card. An early notable space opera film was Flash Gordon (1936–present) created by Alex Raymond. In the late 1970s, the Star Wars franchise (1977–present) created by George Lucas brought a great deal of attention to the genre.
With Disney poised to turn everything in the world, lettuce, hammers and oranges into Star Wars paraphernalia it is getting harder to create space opera which doesn’t resemble fantasy more than it does science fiction. Star Wars is a science fiction space opera only in the most rudimentary ways. For the most part, if you substituted wizards for Jedi, and made the two factions governments on a planet, you could be telling a tale of epic fantasy and miss nary a beat, complete with Dark Lord, magic sword, peasant farmer and a princess to rescue.
What is the cure for this planet-romance space fantasy which is about to make everyone forget movies like The Martian even exist? You are going to have to write a space opera that people will take seriously.
It’s harder than it looks. You have lots of things working against you.
No one has done it yet. Star Wars has been around 30 years and we haven’t managed to eclipse it, not seriously. Not yet. Let’s go everyone, we’re not getting any younger and Disney isn’t going to get any smaller.
At the rate Disney plans to saturate the Star Wars market, there may be no alternative to its pap-filled space opera, for decades to come.
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Thaddeus Howze is an award-winning writer, editor, podcaster and activist creating speculative fiction, scientific, political and cultural commentary from his office in Hayward, California.
Thaddeus’ speculative fiction has appeared in numerous anthologies and literary journals. He has published two books, ‘Hayward’s Reach’ (2011), a collection of short stories and ‘Broken Glass’ (2013) an urban fantasy novella starring his favorite paranormal investigator, Clifford Engram.
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