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The 2018 Hugo Awards were presented yesterday evening, August 19, 2018 at the 76th Worldcon in San José, California, USA. The awards ceremony was hosted by Hugo Ward and World Fantasy Award winning illustrator John Picacio. The base design this year was by Sara Felix and Vincent Villafranca, and features a distinctly retro theme. The awards administration team was Dave McCarty, Linda Deneroff, Deb Geisler, Susan de Guardiola, Sandra Levy, John Pomeranz, Kevin Roche, Kevin Standlee, and Leane Verhulst. The winners of the 2018 Hugo Awards, Award for Best Young Adult Book (hereafter the Lodestar Award), and John W. Campbell Award for Best New Writer were all announced at the well attended event. A full breakdown of the voting is available here. https://www.youtube.com/watch?vPt4UI_te7bs This year, the influence of the Sad Puppies / Rabid Puppies on the Hugo Awards was completely absent, thanks in large part to an adjustment to the voting roles which neutered these groups' attempt to use block voting to corrupt the outcome of the awards. The Puppies' campaign to ruin the reputation of the Hugo Awards began with the 2015 Hugos, in which many categories resolved as "no award" rather than offer an award where the field of nominees were tainted with Puppy slate insertions. The convention was marred by complaints of sidelining marginalized authors, with the observation that those sidelined tended to be either non-white, members of the LGBTQ community, or both. The convention reworked their schedule in response to this, and vowed to do better. There was also a tiny protest outside, comprised of about 40 members of the alt-right who were convinced that there was rampant pedophilia in science fiction. The signage they brought, however, suggested that they were mainly just Trump supporters who weren't actually science fiction fans and weren't in a position to know. They refused to speak with KRON-TV when approached, so we don't actually know why they thought they were there. The greatest impact they had was to block access to the bloodmobile, the vehicle there to support the blood drive. Still, in all, one need take only one look at this image retrieved from the Hugo Awards ceremony by the Daily Dot to see that the relevancy of the Hugos has survived intact. Image credit: The Daily Dot Here are the winners. As shown below, winners are first in the list and marked in bold. Best Novel The Stone Sky, by N.K. Jemisin (Orbit)The Collapsing Empire, by John Scalzi (Tor)New York 2140, by Kim Stanley Robinson (Orbit)Provenance, by Ann Leckie (Orbit)Raven Stratagem, by Yoon Ha Lee (Solaris)Six Wakes, by Mur Lafferty (Orbit) Best Novella All Systems Red, by Martha Wells (Tor.com Publishing)And Then There Were (N-One), by Sarah Pinsker (Uncanny, March/April 2017)Binti: Home, by Nnedi Okorafor (Tor.com Publishing)The Black Tides of Heaven, by JY Yang (Tor.com Publishing)Down Among the Sticks and Bones, by Seanan McGuire (Tor.Com Publishing)River of Teeth, by Sarah Gailey (Tor.com Publishing) Best Novelette The Secret Life of Bots,” by Suzanne Palmer (Clarkesworld, September 2017)Children of Thorns, Children of Water, by Aliette de Bodard (Uncanny, July-August 2017)Extracurricular Activities,” by Yoon Ha Lee (Tor.com, February 15, 2017)A Series of Steaks, by Vina Jie-Min Prasad (Clarkesworld, January 2017)Small Changes Over Long Periods of Time, by K.M. Szpara (Uncanny, May/June 2017)Wind Will Rove, by Sarah Pinsker (Asimov’s, September/October 2017) Best Short Story Welcome to your Authentic Indian Experience™, by Rebecca Roanhorse (Apex, August 2017)Carnival Nine,” by Caroline M. Yoachim (Beneath Ceaseless Skies, May 2017)Clearly Lettered in a Mostly Steady Hand,” by Fran Wilde (Uncanny, September 2017)Fandom for Robots, by Vina Jie-Min Prasad (Uncanny, September/October 2017)The Martian Obelisk,” by Linda Nagata (Tor.com, July 19, 2017)Sun, Moon, Dust” by Ursula Vernon, (Uncanny, May/June 2017) Best Series World of the Five Gods, by Lois McMaster Bujold (Harper Voyager / Spectrum Literary Agency)The Books of the Raksura, by Martha Wells (Night Shade)The Divine Cities, by Robert Jackson Bennett (Broadway US / Jo Fletcher Books UK)InCryptid, by Seanan McGuire (DAW)The Memoirs of Lady Trent, by Marie Brennan (Tor US / Titan UK)The Stormlight Archive, by Brandon Sanderson (Tor US / Gollancz UK) Best Related Work No Time to Spare: Thinking About What Matters, by Ursula K. Le Guin (Houghton Mifflin Harcourt)Crash Override: How Gamergate (Nearly) Destroyed My Life, and How We Can Win the Fight Against Online Hate, by Zoë Quinn (PublicAffairs)Iain M. Banks (Modern Masters of Science Fiction), by Paul Kincaid (University of Illinois Press)A Lit Fuse: The Provocative Life of Harlan Ellison, by Nat Segaloff (NESFA Press)Luminescent Threads: Connections to Octavia E. Butler, edited by Alexandra Pierce, and Mimi Mondal (Twelfth Planet Press)Sleeping with Monsters: Readings and Reactions in Science Fiction and Fantasy, by Liz Bourke (Aqueduct Press) Best Graphic Story Monstress, Volume 2: The Blood, written by Marjorie M. Liu, illustrated by Sana Takeda (Image Comics)Bitch Planet, Volume 2: President Bitch, written by Kelly Sue DeConnick, illustrated by Valentine De Landro and Taki Soma, colored by Kelly Fitzpatrick, lettered by Clayton Cowles (Image Comics)Black Bolt, Volume 1: Hard Time, written by Saladin Ahmed, illustrated by Christian Ward, lettered by Clayton Cowles (Marvel)My Favorite Thing is Monsters, written and illustrated by Emil Ferris (Fantagraphics)Paper Girls, Volume 3, written by Brian K. Vaughan, illustrated by Cliff Chiang, colored by Matthew Wilson, lettered by Jared Fletcher (Image Comics)Saga, Volume 7, written by Brian K. Vaughan, illustrated by Fiona Staples (Image Comics) Best Dramatic Presentation, Long Form Wonder Woman, screenplay by Allan Heinberg, story by Zack Snyder & Allan Heinberg and Jason Fuchs, directed by Patty Jenkins (DC Films / Warner Brothers)Blade Runner 2049, written by Hampton Fancher and Michael Green, directed by Denis Villeneuve (Alcon Entertainment / Bud Yorkin Productions / Torridon Films / Columbia Pictures)Get Out, written and directed by Jordan Peele (Blumhouse Productions / Monkeypaw Productions / QC Entertainment)The Shape of Water, written by Guillermo del Toro and Vanessa Taylor, directed by Guillermo del Toro (TSG Entertainment / Double Dare You / Fox Searchlight Pictures)Star Wars: The Last Jedi, written and directed by Rian Johnson (Lucasfilm, Ltd.)Thor: Ragnarok, written by Eric Pearson, Craig Kyle, and Christopher Yost; directed by Taika Waititi (Marvel Studios) Best Dramatic Presentation, Short Form The Good Place: “The Trolley Problem,” written by Josh Siegal and Dylan Morgan, directed by Dean Holland (Fremulon / 3 Arts Entertainment / Universal Television)Black Mirror: “USS Callister,” written by William Bridges and Charlie Brooker, directed by Toby Haynes (House of Tomorrow)“The Deep” , by Clipping (Daveed Diggs, William Hutson, Jonathan Snipes)Doctor Who: “Twice Upon a Time,” written by Steven Moffat, directed by Rachel Talalay (BBC Cymru Wales)The Good Place: “Michael’s Gambit,” written and directed by Michael Schur (Fremulon / 3 Arts Entertainment / Universal Television)Star Trek: Discovery: “Magic to Make the Sanest Man Go Mad,” written by Aron Eli Coleite & Jesse Alexander, directed by David M. Barrett (CBS Television Studios) Best Editor, Short Form Lynne M. Thomas & Michael Damian ThomasJohn Joseph AdamsNeil ClarkeLee HarrisJonathan StrahanSheila Williams Best Editor, Long Form Sheila E. GilbertJoe MontiDiana M. PhoDevi PillaiMiriam WeinbergNavah Wolfe Best Professional Artist Sana TakedaGalen DaraKathleen JenningsBastien Lecouffe DeharmeVicto NgaiJohn Picacio Best Semiprozine Uncanny Magazine, edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota, and Julia Rios; podcast produced by Erika Ensign & Steven SchapanskyBeneath Ceaseless Skies, editor-in-chief and publisher Scott H. AndrewsThe Book Smugglers, edited by Ana Grilo and Thea JamesEscape Pod, edited by Mur Lafferty, S.B. Divya, and Norm Sherman, with assistant editor Benjamin C. KinneyFireside Magazine, edited by Brian White and Julia Rios; managing editor Elsa Sjunneson-Henry; special feature editor Mikki Kendall; publisher & art director Pablo DefendiniStrange Horizons, edited by Kate Dollarhyde, Gautam Bhatia, A.J. Odasso, Lila Garrott, Heather McDougal, Ciro Faienza, Tahlia Day, Vanessa Rose Phin, and the Strange Horizons staff Best Fanzine File 770, edited by Mike GlyerGalactic Journey, edited by Gideon MarcusJourney Planet, edited by Team Journey Planetnerds of a feather, flock together, edited by The G, Vance Kotrla, and Joe SherryRocket Stack Rank, edited by Greg Hullender and Eric WongSF Bluestocking, edited by Bridget McKinney Best Fancast Ditch Diggers, presented by Mur Lafferty and Matt WallaceThe Coode Street Podcast, presented by Jonathan Strahan and Gary K. WolfeFangirl Happy Hour, presented by Ana Grilo and Renay WilliamGalactic Suburbia, presented by Alisa Krasnostein, Alexandra Pierce, and Tansy Rayner Roberts; produced by Andrew FinchSword and Laser, presented by Veronica Belmont and Tom MerrittVerity!, presented by Deborah Stanish, Erika Ensign, Katrina Griffiths, L.M. Myles, Lynne M. Thomas, and Tansy Rayner Roberts Best Fan Writer Sarah GaileyCamestros FelaptonMike GlyerFoz MeadowsCharles PayseurBogi Takács Best Fan Artist Geneva BentonGrace P. FongMaya HahtoLikhain (M. Sereno)Spring SchoenhuthSteve Stiles There are two other Awards administered by Worldcon 76 that are not Hugo Awards: Award for Best Young Adult Book Akata Warrior, by Nnedi Okorafor (Viking)The Art of Starving, by Sam J. Miller (HarperTeen)The Book of Dust: La Belle Sauvage, by Philip Pullman (Knopf)In Other Lands, by Sarah Rees Brennan (Big Mouth House)A Skinful of Shadows, by Frances Hardinge (Macmillan UK / Harry N. Abrams US)Summer in Orcus, written by T. Kingfisher (Ursula Vernon), illustrated by Lauren Henderson (Sofawolf Press) John W. Campbell Award for Best New Writer Rebecca RoanhorseKatherine ArdenSarah Kuhn*Jeannette NgVina Jie-Min PrasadRivers Solomon *Finalist in their 2nd year of eligibility The 2018 Hugo Awards are generally for work first published or appearing in 2017, or first published in the USA in 2017 (if previously published elsewhere), or first published in English in 2017 (if previously published in another language). The detailed rules are in Article 3 of the WSFS Constitution. -30-